
There’s a billboard we’re seeing a lot of in central Alabama, and it jars me a little every time I see it.
Not because of what is there, but because my mind’s eye sees something that is not there.
Wait a couple of seconds, then look at the black box. Then you’ll see it.
There.
It was only up for a second or so.
What did it say again?
Drugs are bad, m’kay?
The billboard is part of a much larger campaign by district attorneys across the state, called Zero Meth. Meth-amphetamine abuse is rising here (as in many other places) because it’s cheap, and the manufacturers of the drug have figured out how to do it in less expensive and more portable ways.
The goal of the billboards is to drive awareness, and traffic to the website. On the site, you will find resources, information and links for those who struggle with addiction or the consequences. It’s not a very social site, and I am not sure the layout is all that friendly for either humans or search engines… but that’s not the point.
When the logo flashed into your retina, what did you see?
I don’t know about you, but I saw the word Aerosmith.
Every time I see that logo, that’s what pops into my mind.
Over the weekend, I saw one again, and this time asked my wife what she saw.
“Aerosmith.”
She doesn’t like Aerosmith, and might recognize only one or two songs. Maybe. I don’t know if I’ve even played an Aerosmith song in her presence (though I have been known to subject her to Rush.)
It doesn’t even resemble the Aerosmith typeface or logo in any way. It’s just the placement of the letters, the E-R-O and the M- -T-H… and the slant of that “Z” matching the lean of the Aerosmith “A.”
Simple and subtle cues that can take your attention away from the intended message, which is that drugs are bad. (The modern incarnation of Aerosmith would agree that drugs are bad, even if they made their reputation on some very good ones.) The effect is intensified with outdoor advertising, because drivers often don’t get more than a passing glance at a billboard.
The Fix?
Communicators need to remember that it’s not what you meant to say, but what was heard that matters.
I’m sure this logo scored quite well with the people who were vetting it. It’s edgy, it’s grungy-looking, and it has threatening colors that contrast well. I don’t think it translates very well to black-and-white, but that’s not as big a deal for an issue campaign as it would be for a permanent brand where the legibility of monochrome logos on stationery and business cards is a big deal.
Honestly, all it would have taken is a variant and the “Aerosmith” issue wouldn’t have surfaced. Stack the block-letters of “ZERO” on top of the “METH.” Now it doesn’t resemble the name of the band so much.
Did you see Aerosmith in the logo? Even for a moment?
Do you have other examples of poorly-tested logos, or instances where the unintended connotations got in the way?








There always needs to be a scare of some type, because there is a healthy percentage of the public that doesn’t feel Important unless it is seen to be caring about Big Important Things. Usually, when Big Important Things have to do with personal issues or matters of faith, they don’t have an impact. But when enough people use their panic about Big Important Things to spur government action, they can be very adamant about saving the world with expensive remedies.
