communication. community. cognition.
Posts tagged Journalism
Access: Birmingham
Aug 9th
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Times are tough for newspaper publishers, who are trying to sell their relevance to subscribers and potential advertisers. The temptation to drop standards is ratcheting up, and once standards are lower it’s hard to recover that blow to reputation. More >
The I-Dumbing of Journalism
Jul 22nd
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This may be the single stupidest thing I have ever seen on television. And I used to work in television news, so that’s saying something.
An Oklahoma City television station entertained a piece during the July ratings period about “I-Dosing.” Apparently, school officials are warning parents about a new danger, audio files that your children can download, and can make them high.
Watch the piece, then we’ll talk about how many flavors of dumb they’ve crammed into this Whitman’s Sampler of Stupidity: More >
Trust is Made to be Broken
Jul 21st
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Ain’t technology grand?
It’s great that I can tap into networks of really smart people with relevant knowledge and skills.
I can’t tell you how awesome it is that other professions have embraced the ability to break the barriers of time and space to collaborate.
It can’t help but make us smarter, or at least more confident we can access faster answers with a greater degree of success.
We’re not talking Wikipedia here, we’re talking about top experts bouncing ideas off each other.
It’s exciting, but after seeing a couple of recent articles, I’m both scared and relieved. More >
Kill Art and Craft, and you Might Share The Coffin
Jun 28th
One of the finest compliments I ever received was from Dan Cates, who was then my assistant news director at the ABC affiliate in Birmingham.
“I wish I had a whole newsroom full of Ike Pigotts.”
It was weeks before I could walk through a doorway without my big head getting in the way.
I knew what he was talking about, but even then, I knew how bad that would be. Every reporter brings a different perspective and approach to their stories, and some approaches work better for certain needs. That’s because at that time, there was still an art to storytelling in television news. The artist who works in oils might be a horrible sculptor, or might not paint well high on scaffolding. If you believe in bringing the right tools for the job at hand, then part of a news manager’s job was to match up the right personnel with the story that needed telling. More >
Open Letter to New Journalism Graduates
May 11th
I ran across this note on an online forum, and asked for permission to republish it. Matt Lindner is a TV reporter between jobs, and might just be between careers. He didn’t get into the business until after I had gotten out, but already he has a grasp of the challenges facing those who stay in – and those who seek greener pastures with more stable business models.
If you like it, let him know. He seems like a smart kid.
Dear Aspiring TV Newscasters,
My name is Matt Lindner and I am a recovering local newsie. For years, the events of whatever small town I was living and working in at the time were the air I breathed, all I could talk about, my joie de vivre for lack of a better term. As of 2010, my career in local news is (for now) over with.
Years ago, I sat where you did, dreaming of an exciting, glamorous life that involved chasing down the bad guys and telling stories where the masses would hang on to every word breathlessly. I — like you — thought I knew everything about everything, that I was going to come in and change the way things were done on the local level. I didn’t and quite frankly neither do you. So without further ado, here are the lessons I’ve learned through trial and error. The lessons I wish my college professors were more forthcoming about, that you — as an aspiring local news professional — need to know in order to survive in today’s world.
- 95% of what you learned in the classrom does not matter. The first thing you learn on your first day in the business is that it doesn’t matter how many college awards you won, what your GPA was, or how many professors told you you’re the next Cronkite, in reality you don’t know jack. Deadlines are tighter, viewers are more critical, news directors and producers alike aren’t afraid to dress your down in front of the entire newsroom. Nobody cares about where you went to school or that killer package you turned on the dying cancer patient while you were there. What they do care about is if you can turn a package and two VOSOTs in time for the five and if you can’t, there’d better be a damn good reason why you didn’t. College provides you with a fantastic fundamental base on how to dot your I’s and cross your T’s. Your first small market job will teach you how to be a journalist. Which brings me to my next point…
- You ain’t gonna start in New York, kid. There’s about 200 applicants for every single on-air television news opening — and that includes spots in the tiniest of markets like Alpena, MI or Grand Junction, CO. Never heard of those towns? Locate them on a map because unless you’re well connected, you’re going to be starting off there covering county board meetings and farmers markets. Bieng a small town local news reporter forces you to become a great writer because you’re making things that on the surface, you don’t care about newsworthy, writing so that the average person at home is willing to put the remote down and listen to what you have to say.
- If you want to get rich, pick another major. That’s just a cold hard reality of the business. Even today, some local news outfits are paying their on air talent less than 20,000, or right around the national minimum wage. Why’s that? Supply and demand, baby. As stated above, for every person who lands an on-air gig, there’s hundreds more who are willing to do that particular job for even less money than the incumbent is making. It happens. TV news is a desirable career because many see it as being glamorous and a ticket to stardom which is why so many people want to do it.
- Have a backup plan. The average teevee news career lasts about five years these days, and once those people are done they move on to something else, be it public relations, law school, real estate, etc. I don’t speak for all ex-newsies, but if I could do it all over again, I would’ve double majored or at least done a couple internships in something different just to have that experience on my resume. TV news is an interesting career, but the reason it has such a high burnout rate is because so many people tire of the instability and lack of pay. While this may be your life’s dream now, make sure you have a backup plan just in case several years down the line you want to have the stable life that a career outside of television offers.
- The news takes no breaks. Be prepared to spend your nights, weekends and holidays at your place of employment. While you may have grown up spending weekends watching football with your dad and Christmas morning opening presents with your little brother, those family traditions will eventually take a backseat to your job. As a rookie, you’ll find yourself working the shifts that most people dread. Your days off might be Monday-Tuesday or Wednesday-Thursday and you may find yourself spending Thanksgiving morning interviewing homeless people who are just grateful to have a meal. The fact of the matter is it’s part of the job and if people weren’t watching, you wouldn’t be doing it.
- Keep your mouth shut and your eyes open. There’s nothing a local news director hates more than some rookie who complains about having to shoot and edit their own video. In the current day and age, you’re likely going to have to be your own photographer at your first 2+ jobs. It’s going to involve a whole lot of frustration and stress. Newsflash — nobody you work with cares because they’re all in the same boat. If you stay humble and take criticism to heart, you’re going to last in this business. If you’re a hothead who lashes out at their colleagues, you won’t last til your 90 day review. You don’t know everything, you’re not as good as you think you are so shut up and do your damn job.
- Listen to the veterans. They’ve seen almost every conceivable situation. If somebody comes to you with a critique of one of your stories, be flattered by it because it means that they care enough about you to take the time out to offer you advice. They’ve made all the mistakes that you’re going to make and they don’t want you to repeat them. By that same token, they know how to bounce back from a poorly written pack or a live shot that you stumble through which is why they’re taking the time out to tell you how you screwed up and how you can fix it. Don’t take what they say personally rather learn from what they have to say.
- Enjoy the ride for what it’s worth. The friends you make in your first couple TV jobs will be the ones that stand up in your wedding. Everyone’s in the same boat living in the middle of nowhere and making next to nothing. Enjoy the happy hours, going away parties, and the camaraderie because once it’s all over with you’ll find yourself longing for that sense of community. You’ll also find that you’ve got the best stories to tell in any bar you should find yourself in because you lived the dream, you did what 99.98% of the country wishes they could have done with their lives.
I wouldn’t trade the career I had for anything. I’m not the richest person you’ll ever meet in terms of money; but in terms of life experience, I’ve seen more than I ever could have dreamed of. I — like you someday — have no regrets about the way things have turned out. So if this rant wasn’t enough to turn you off of a career in television news, pursue it with all you’ve got and don’t look back because while your bank account may regret it, you never will.
To those of you who made my career possible, thank you for investing your time and efforts into this crazy excursion.
(And to any news directors out there who might have an opening for a newsie who has learned all of the above, feel free to shoot me an email…)
Adrenalinholics Anonymous
May 4th
If we can’t get what we need, we’ll grow our own.
(More from the mcarp archives… the prophetic genius and brilliance are his;
the ones/zeros, pixels, pictures and subheads and pull-quotes are mine.)
This is the very last of the mcarp essays, written over a decade ago by former broadcast journalist Michael Carpenter. I got his permission to share these, because they are not easy to find, and like most brutally honest musings, they deserve to be read.
After this essay, I’ll share a little about why this cuts so close to home for me.
I was a junkie.
An adrenalin junkie, that is. I was hooked on it.
I can’t speak for every TV news reporter in America, but I can speak for myself. I grew up in a household where there was a lot of suspense, drama, and anxiety. Mom and Dad drank a lot. They fought. They had affairs. After they split up, my mother drank even more, and disappeared for days at a time.
I’m not telling you this so you’ll feel sorry for me. I’m telling you this because it set me up for my career in television news. I couldn’t have been a reporter without it.
Living in that kind of environment produces the same physical sensation as parachuting from an airplane, or skiing down an expert slope. Except that you have it all the time, and it’s only noticeable when it’s absent. When you don’t have it, it feels like something’s wrong — like life is empty and meaningless.
A freshman anchor I once knew left the business after her first contract ran out, saying, “This is not a business for adults.”
Having grown up in the kind of environment she did, which is to say a fairly healthy one, TV news made no sense to her. Having grown up in the kind of environment I did, which is to say one filled with irrational demands and wildly inconsistent expectations, TV news made perfect sense to me. Well, maybe not perfect sense. But I was comfortable for many years with the notion that truth could change from day to day, and even hour to hour. One of my news directors had a name for it: “functional reality.”
I got the buzz living in the constant craziness of home, and I didn’t really have it again until I immersed myself in the constant craziness of television. It was no wonder I spent so many hours at work, and so rarely took a vacation — as sick and depressed and miserable as it eventually made me, the newsroom was the closest thing to a family I’d found since I’d left home.
Punch Drunk
I’m not the only newsperson I know from what is sometimes called the ‘alcoholic family of origin.’ And once you know what to look for, it’s easy to spot fellow travelers.
They’re the ones who, when the boss comes in drunk and raving, don’t bat an eye. They’re the ones who, when they’re reprimanded for something with which they were not involved, and over which they had no control, shrug it off as if it were nothing. (Even before I was familiar with the term ‘triangulation,’ I understood that principle. I was surprised to learn there was a name for it.)
They’re the ones who, when insulted or mistreated by abusive or chemically-dependent bosses, not only shrug it off, but make make excuses for them.
I once worked for a news director who frequently referred to his assistant news director as ‘bitch,’ and other sexist, demeaning terms. He insulted her and ridiculed her in front of the staff. A reporter asked her one day why she put up with it.
“You don’t understand,” she said. “He and I just have a very special relationship.”
“Yeah,” the reporter replied. “He treats you like shit, and you take it.”
Confronted for the first time by the undeniable reality of their years-long ‘partnership,’ she burst into tears. The reporter got fired.
It’s just my opinion, but I think most news people are hooked on adrenalin, and addicted to doubt and uncertainty. They judge their surroundings and relationships by whether they induce the familiar physical effects of an adrenalin rush: tightness in the chest, dry mouth, accelerated pulse. And if they don’t feel that, they think something’s wrong.
Noise and Narcissism
I think that’s why so many screamers and tantrum-throwers thrive and get ahead in this business. Their ‘intensity’ can give everyone around them an adrenalin buzz, even if there’s nothing happening to justify it.
Of course, nothing will keep that rush going like a steady stream of murders, accidents, fires and catastrophes. I don’t think you can blame consultants alone for the business’s infatuation with tragedy and violence. I think that if a group of TV reporters were allowed to operate their own newsroom, unguided and unrestrained by any management, most would instinctively gravitate toward ‘death and destruction’ reporting. That’s where the rush is.
And absent a real train wreck to keep the pulse punding, a lot of people in this business seem willing to create a metaphorical one — either in their own lives, or in their coworkers’. If newsgathering is job number one, leading a drama-filled life is job number two, and rumor-mongering is job number two and a half.
It’s worth the price of a six-month subscription to peruse the Newsblues web site, on which TV news staffers are encouraged to post anonymous rants and raves about their workplaces. A significant percentage are about the soap opera aspects of their coworkers’ lives.
You can also occasionally find complaints from anchors themselves on news-themed web sites to the effect that “I’m afraid people are talking about my personal life.” Which can be translated to, “I’m afraid people are not talking about my personal life, so let me get the ball rolling.”
And off the Internet, you’ll hear a lot more about that in the typical end-of-day shoptalk than you will hear, for example, about who’s on the take from contractors down at city hall.
My personal life? “Dull and boring,” as one coworker dismissed it. “You and your Moon Pies.”
Not that I didn’t try, you understand. I just wasn’t very good at it.
I get it.
This essay in particular had a very profound impact on how I viewed my job. There were so many things in hindsight that were wrong with the way news is produced and arranged, and it isn’t all about bias or lack of experience or agendas.
It has everything to do with the unprofessional way most newsrooms are managed.
In the business world, you can’t get away with the things that news managers do. To be fair, some news managers cross the line and get spanked, yanked or tanked as necessary. But it’s the little things that just don’t happen as often in other sectors. I was blessed to work for better-than-average news managers, but even then I had head-scratcher moments.
One glaring piece missing in newsrooms is any sort of program for professional leadership. My brother was fortunate to work for an NBC-owned station when GE was in charge, and he got the full benefit of the GE Management Training program. I don’t know of any broadcast ownership that commits a dime to it, and if it exists, it’s at a small scale. (Maybe Belo. Maybe.)
Most of the business world seems to understand that when you start getting higher up the chain, it’s about finding, motivating and mentoring people. You are a manager of people above all else. Not a manager of equipment or widgets.
In news, the managers of people are not promoted because they are motivators or have natural ability to lead. They are promoted because they came from the ranks of producer. The job of a producer has more to do with creation of a product and less to do with managing people. Unless you count yelling at people.
I don’t know of any stations (other than the NBC/GE combo, which no longer exists) that gave management training to producers who aspired for more. Producers became Executive Producers, who became Assistant News Directors, who became News Directors. And at no point along the way was there any development of the skills the rest of the business world takes for granted. If you A) Got the job done and B) Didn’t get us sued for harassment, then you got to move up.
In an ideal world, you break the cycle of dysfunctional leadership with positive examples. In newsrooms, it just doesn’t happen.
Opportunity Costs
The other epiphany had to do with the toll the industry takes on your life. Not measured in what you visibly lose, but in what you never attempt because of the nature of news.
It’s preached constantly that you are so lucky to be working, and only a fraction of those who dream of being in a newsroom ever make it. Competition is fierce, and pay reflects that in the form of depressed compensation. Your job is more than that, though… it is a calling of the highest order.
At least that’s what you are expected to believe.
The world will indeed end if you balk at the ten and eleven hour days. You’re there for greater purpose! If they need you for a six o’clock live shot 45 miles away, no problem! Can do!
After a while, you stop trying to plan social engagements during the week. Date night with the spouse, dinner with friends, Wednesday night church, softball leagues. They all disappear from your vocabulary, because you simply get tired of canceling things.
In that environment, you don’t recognize the odd position you are in. You’ve surrounded yourself with a peer group that places an inordinate amount of their self-esteem and identity into their employment. They cease being people, and instead are TV People. And when you are suddenly aware of what you’ve become, it’s both jolting and revolting. Even worse, everyone around you thinks you have either gone crazy, or are now a bad apple, newsroom poison, or a morale assassin.
There are many people who are perfectly happy in that environment. At this point, I am not sure they have ever known life any other way. I might as well show them a hypercube.
Only now, with audiences shrinking and staffing imploding to match, I am suddenly being asked for advice by those seeking life after journalism. And everything mcarp wrote above still applies to this day; I am just as much a psychological counselor as an employment one.




Newspapers Break the Mask of Anonymity
Jun 30th
Posted by Ike in Communication
38 comments
As traditional journalism (print and broadcast) struggles to find a way in the digital realm, one of the biggest hurdles has been how to deal with the feedback. Reporters and editors aren’t used to “listening” in an age where everyone can be a publisher. Sure, there are “Letters to the Editor,” but those always came with the caveat and expectation of heavy moderation.
The award-winning Anniston Star and all its sister publications at Consolidated Publishing are turning the Klieg lights on the cockroaches with a new policy for online comments: More >